This will give them a general idea of what type of sound you are going for but without hindering their ability to master properly. An example would be if the effects you are adding are for creative purposes.Ī lot of mastering engineers will ask you for two versions of your mix, one without any processing on the mix buss and one with all the effects you added.
It can add character and color to your mix though, which is desirable. This may leave your mix with little to no headroom, making mastering nearly impossible. to your mix buss can get your mix sounding great very quickly but putting on processing just for the sake of making it louder, especially if you plan on sending the mix to a mastering engineer, Isn’t a good idea. Should you always process the mix buss?Īpplying Compression, EQ, etc. However, there are some basic guidelines. There is no right answer in this case, if it works for you better than the other options, then keep on doing it, just make sure to try every option. Others apply them after having already mixed most of the song. Some engineers like to apply processors on the mix buss even before the mix begins, while some others prefer not to add anything at all, leaving this post-mix processing stage in the hands of the mastering engineer. Important note: There are no “strict” rules here, you should try different things and really listen. to also make it punchier and fix slight frequency imbalances. I’m referring to the use of processors which will help you “glue” the mix together, such as EQ, Compressors, Limiters, etc. There are several things that you can do with this channel, some are advisable and will make your mixes sound even better, but some others will absolutely ruin it if done incorrectly. When you are mixing a project, you have all these tracks, which could be guitar, bass, drums, samples, synths, vocals, you name it.Īll these tracks get combined into a single stereo channel called the mix buss.
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